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BJ Parady

My art reflects the microcosm in which I live—where the tall grass prairie used to be. I am inspired daily by the big skies, the reflection of light on water, the remaining remnants of native plants. Because I have come to embrace the idea of abstraction—capturing the essence of a moment rather than a literal depiction of a scene that could just as easily be photographed—many of my new pieces are in the style of the abstract expressionists.

Most of my fiber pieces involve beginning with white or black fabric—silk, cotton, linen—which I then dye or paint or discharge to get the colors I want. Various layering and stitching methods are then used. Many are quilted, either by machine or by hand, to give added texture. I do this because along with color, the most important part of my work to me is the juxtaposition and manipulation of various textures—something I can only do in fiber.

My work has been featured in the magazines Quilting Today and Quilter's Newsletter. It has been juried into the American Quilter's Society Show (Paducah), and the International Quilt Festival (Houston), among others.

These pieces began with white fabric—white silk or linen or cotton. I then dyed them using low water techniques and Procion MX dyes, usually 3 or 4 dye baths. The next step involves using Jacquard Discharge Paste and a paintbrush—applying the paste where I want the piece lighter, or to make forms like the goldenrod galls. After they dried, I used a steam iron to finalize the process. Quilting on the machine came next.

For more about BJ's work see her website: www.bjparady.com or her blog www.bjparady.blogspot.com.

“New Moon”

by BJ Parady

For this wonky little piece, I applied the discharge paste to a rubber stamp I had carved, printed the fabric, and then heat set it.

“Goldenrod Galls 1”

by BJ Parady

The silk was dyed at least 3 times. Galls were painted on, allowed to dry, then heat treated.

“Goldenrod Galls 2”

by BJ Parady

This silk was dyed at the same time as GG1. Again the galls were painted on and heat treated, then the piece was quilted.

“Winter Solstice”

by BJ Parady

This was one of of my first pieces using the Discharge Paste—I painted it on with abandon and a general plan for the piece, and then I let the piece lead me the rest of the way.

“Prarie Sun”

by BJ Parady

More of the same silk, but here I painted on blades of grass over the background. The sun and blue leaf shape were added after quilting.